Yi-ping Hung

Work place: Graduate Institute of Networking and Multimedia, National Taiwan University

E-mail: hung@csie.ntu.edu.tw

Website:

Research Interests: Pattern Recognition, Computer Vision, Human-Computer Interaction, Virtual Reality, Image Manipulation, Image Compression, Computer Animation, Image Processing

Biography

Yi-Ping Hung received his B.S. in Electrical Engineering from the National Taiwan University in 1982, and his Ph.D. degree from Brown University in 1990. He is currently a professor in the Graduate Institute of Networking and Multimedia, and in the Department of Computer Science and Information Engineering, both at the National Taiwan University. From 1990 to 2002, he was with the Institute of Information Science, Academia Sinica, Taiwan, where he received the Young Researcher Publication Award from Academia Sinica, and became a tenured research fellow in 1997. He has served as a deputy director of the Institute of Information Science at Academia Sinica, and is now the director of the Graduate Institute of Networking and Multimedia at the National Taiwan University, since 2007. Professor Hung was the program co-chairs of ACCV’00 and ICAT’00, and the workshop co-chair for ICCV’03. He has served in the editorial board of the International Journal of Computer Vision since 2004. He was the keynote speaker for PSIVT’07, DeSForM’09, and ACE’10, and was the curator of the NPM LOHAS Exhibit (April 2010 – April 2011) at the Future Museum of National Palace Museum, located at the the Taiwan Taoyuan International Airport. His current research interests include computer vision, pattern recognition, image processing, virtual reality, multimedia, and human-computer interaction.

Author Articles
Easy and Deep Media in Cultural Heritage Field—The Development of Mau-kung Ting Educational Media for the National Palace Museum

By Chun-ko Hsien Quo-ping Lin Chiung-yi Huang Chung-yi Chang Yen-ju Lin Yi-ping Hung

DOI: https://doi.org/10.5815/ijeme.2013.02.05, Pub. Date: 28 Feb. 2013

This project intends to develop an effective educational media that is not only rich in cultural content but also feasible in the museum setting. We want to introduce the Mao-Kung Ting, one of the most valuable collections of the National Palace Museum, to the public in two key aspects—its aesthetic beauty as an antique bronze cauldron, and its historical significance of carrying the longest bronze inscriptions ever discovered among unearthed bronze in China, which has made it plays an important role in the evolution of Chinese characters. Our mission is to develop an interactive installation that could help the audiences to understand this critical cultural heritage with ease. The major techniques that have been employed to facilitate this process include intuitive interactive interface, computer graphics animation, as well as an immersive environment with audio and video.

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Easy and Deep Media

By Chun-Ko Hsieh Quo-ping Lin Yen-ju Lin Chiung-yi Huang Chung-yi Chang Yi-ping Hung

DOI: https://doi.org/10.5815/ijmecs.2010.02.01, Pub. Date: 8 Dec. 2010

This project intends to develop an effective educational media that is not only rich in cultural content but also feasible in the museum setting. We want to introduce the Mao-Kung Ting, one of the most valuable collections of the National Palace Museum, to the public in two key aspects—its aesthetic beauty as an antique bronze cauldron, and its historical significance of carrying the longest bronze inscriptions ever discovered among unearthed bronze in China, which has made it plays an important role in the evolution of Chinese characters.  Our mission is to develop an interactive installation that could help the audiences to understand this critical cultural heritage with ease. The major techniques that have been employed to facilitate this process include intuitive interactive interface, computer graphics animation, as well as an immersive environment with audio and video. Finally, two case studies were presented to show how the use of multimedia technology is helping to enhance visitors’ experience while the key challenges of the contemporary curatorial tasks are being discussed.

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